Archive for January, 2008

What is learning?

Learning is the process in which a person consciously takes their self farther away from ignorance. Ignorance is the lack of knowledge, the inability to understand something without guidance from an outside force. Ignorance can also be the willful act of not learning. As Immanuel Kant said, “Sapere Aude!” (1784 Kant). Dare to know. To take charge of one’s own learning, or the admission of ignorance and the want to change, cannot be done without courage and self-confidence.

Who are these outside forces that guide the ignorant? Those are teachers. In Modern Education, teachers take charge of our learning for 13 years, meeting our individual needs, and educating us in the subjects that have formed the basis for our world. Our teachers become some of the most important and revered authority figures in our lives, next to our parents. We learn from our teachers.

In general, learning is a popular thing. Students learn. It’s our traditional role. Books, and now the wonderful world of the Internet, serve our understanding. They satisfy our requirements. Teachers are generally eager to teach. Teachers are the guardians of knowledge.

However, learning is different from thinking. A teacher can teach and teach but they can never force a student to take the plunge into the vague pit that is critical, applied and abstract thought. A student (with the big brains that come packed onto the human label) can enter in the methodical algorithms that make it possible to pass for a very intelligent person. Yes, they may even be admired by all the right people, and regarded as a prime candidate for all the right schools in all the top places. But the real question is, do they actually think?Original Art by Lindsea

In the past, the leap from learning (and knowing) to thinking has been accepted as a dangerous thing. To all oppressed people, learning—accepting facts and dogmas—helped them survive, but thinking got them killed in an instant. My own fair sex learned all about what it had to do in order to live in a world lead by men. Until we started thinking, that is. The key factor in suppression of growth is knowledge without thought. The collective perception of a group of people jumping from merely learning to actually thinking is what spurs revolutions. In it’s purest form it is change.

As I mentioned before, the teachers in our lives have been pervasive authority figures. They have taught us all they could within their own human limitations. As authority figures, they have the responsibility to educate their students (give them knowledge that will help them survive beyond school), and also help them think critically, applicability, and abstractly. Being the catalyst to the thoughts of students is the most important role of a teacher, because, again, it is what changes the world.

Under what conditions can teachers retain their control, while still teaching all they can and most importantly promoting thought at every opportunity? What can lead students away from the dangerous trap of algorithms and into the belief-questioning probe of thought?

The teaching methods of “don’t ask questions, learn!” or “don’t argue, believe!” will absolutely discourage thought. But certainly complete freedom wouldn’t guide students toward thought, either. Total anarchy is never the answer, I’ve found through personal experience, because if learning is as I described (requiring guidance form an external force), then in order for students to learn, the teacher needs to draw on despotism. (A despotism that instead claims the gain of it’s charges, not its own personal gain.) No, I believe the best answer is, “Question, think, explore and dissent at your own free will, but listen (and obey)!”. A student cannot refuse the direct orders from a teacher to learn, but as a thinker s/he must question all the knowledge that s/he is accepts into his/her mind from the teacher or any other external source.

If in learning, a student applies critical thought and decides that that particular piece of information goes against their belief system and all ideas of truth, then I believe the student is still obligated to learn it. Ignorance is the willful act of not learning, and with ignorance there cannot come knowledge. This leads to the logical conclusion that without knowledge there cannot come thought, and without thought there cannot come change. The idea of a generation that does not fight to change what it sense to be wrong in the world is one that literally sends shivers down my spine.

But I won’t ever have to worry about that, because it is impossible. If we loosely use the analogy of the teachers being the powerful bourgeoisie and the students being the lead masses of proletariats, then we can see that because the bourgeoisie seek to take control over the proletariats, without providing a forum to speak through, the natural thing for the proletariats to do is join together. Once united, the now connected proletariats will now have “improved means of communication…created by Modern Industry [Modern Education]” (1848 Marx). Teachers created Modern Education, and through that, the students have united in order to voice their opinions. I don’t need to point out that Students 2.0 is a great example of what I have described.

In classic education, students’ voices were never fully heard because they were divided. Now, in neo-education, we retain the authority of the teacher, while making sure to provide opportunities for the roles of student and teacher to get lost in the greater goal of learning, and later, thinking; and second, to actually take into consideration the thoughts produced from those exercises. To teach in a neo-educational environment is to truly allow for and encourage thinking in the classroom, which means to lose the conventional boundaries of classic education. It means to obey the students’ wishes as much as enforce the teachers own. It is teachers and students learning, and thinking together, in a way acknowledges the connections and unity formed between the students and the world at large. Neo-education promotes learning both at it’s most basic, and most complex levels.

  1. Original artwork by Lindsea

Calculated Risks

I see it around me every day, and it kills me; the averted eyes and hesitant words create awkward silences, and it becomes obvious that almost every student in that math class wants to disappear. It kills me because I’m not like that . . . anymore. I can tell you when it all changed for me, too.

All my life, I always wanted to know why I needed math, and when no one answered it to my satisfaction year after year, I gave up wanting one. I gave up wanting to know at all. I gave up my sense of curiosity and settled for crunching numbers. This is a story that most students share.

We are taught the “Print and Puke” method of education, and we perform outstandingly. Teachers hand out the sheets and grade on the curve, assuring that most squeak by, and come time for the test, students puke up all the cut-and-paste puzzle pieces they were force-fed in previous weeks, and arrange it neatly for a passing grade. Most go on to do well enough, but some end up feeling cheated out of something, like I did.

As a student, you are expected to pass a test more important than the final, but most find out too late. Standardized Tests have been taught as how to pass the test itself rather than learning the material expected. It took me a long time to realize that “Print and Puke” wasn’t going to work with these. I had been rendered helpless. Communication skills and analytical thinking are the only skills that standardized tests look at, disguised as English and math. No one was really testing my grammar usage, or my ability to convert fractions, and this went against everything I had been taught. The only option was to be re-taught.

Soon after, a whole new world opened up. Math isn’t about the numbers at all, and that is the hardest idea I’ve ever had to accept. Once I began to ignore the numbers, I saw the concepts behind them. I have learned to appreciate the creativity required to perform certain processes. I feel the need to say this again; math isn’t about the numbers. It promotes the wonderful skill called analytical thinking: the process of drawing conclusions from information given. (Is that not the simplest way to summarize mathematics?) Don’t hate math because it makes you think about your world, that is the only way you’ll find something you really love. Finding that makes all the sweat you put into it worthwhile.

When teachers say that we will use this skill every day, most shrug it off, reading “skill” as “numbers”. They sleep through the lesson and miss the most important part. I hate to say it, but those teachers are right. We must think. Whether reading a book, following politics, doing research or running a company, you have to think for yourself. Don’t just look at the world. Instead, understand it and use that to your advantage. “Print and Puke” may get you the A, but it cannot compare to the experience of learning a new concept, and genuinely wanting to know more.

Students and Educators, the best you can do to get that WOW moment is to entertain your whims. Passion breeds passion! Find someone who loves something you want to learn to love. Go up to a stranger and ask “Why is this so cool to you?” Better yet, be that someone. The quest for knowledge never ends, it just changes direction. Be fearless with your education.

  1. Photo by sadaiche on Flickr

21st Century Education: Thinking Creatively

This was originally written for publication for my school’s newsletter’s edition on “21st century learning”. I present it to you here not as an attempt to present any new ideas, but in the hope that it might help to pull together many of the ideas that are floating around in online education discussions. Those familiar with Dan Pink might see some of his influence here. Enjoy.

Twenty-first century education won’t be defined by any new technology. It won’t be defined by 1:1 laptop programs or tech-intensive projects. Twenty-first century education will, however, be defined by a fundamental shift in what we are teaching—a shift towards learner-centered education and creating creative thinkers. Today’s world is no longer content with students who can simply apply the knowledge they learned in school: our generation will be asked to think and operate in ways that traditional education has not, and can not, prepare us for.

Education has long tried to produce students who can think (and at times, think critically) and it has, for the most part, succeeded. As we move into a world where outsourcing, automation, and the ability to produce a product, physical or intellectual, at the cheapest cost, become the cornerstones of our rapidly evolving global economy, the ability to think critically is no longer enough. The need to know the capital of Florida died when my phone learned the answer. Rather, the students of tomorrow need to be able to think creatively: they will need to learn on their own, adapt to new challenges and innovate on-the-fly. As the realm of intellectual accessibility expands at amazing rates (due to greater global collaboration and access to information), students of tomorrow will need to be their own guides as they explore the body of information that is at their fingertips. My generation will be required to learn information quickly, use that information to solve new and novel problems, and then present those solutions in creative and effective ways. The effective students of tomorrow’s world will be independent learners, strong problem solvers and effective designers.

If we accept the above to be true, I would argue that there are two types of education that will prepare students for the world of tomorrow: experiential learning and project-based learning.

Physics Lab

Experiential learning can be best seen in extracurriculars and in some schools, senior projects. These experiences give students the opportunity to face first-hand the challenges that arise when applying the theoretical knowledge provided by traditional classroom learning to real-world challenges. Light designing for MICDS Theatre has taught me how to take my technical knowledge of lighting and apply it to a creative and artistic end. As issues arise, I must problem-solve within the constraints provided by my technical knowledge and my creative vision—I must think creatively.

Project-based learning is the in-class complement of experiential learning. The concept behind project-based learning is simple: give students the basic tools, then ask them to go above and beyond on their own projects, exploring the information in their own way, and on their own terms. The effect can be awe-inspiring. Our students are diving deeper into subject matter than ever before, and doing so on their own terms in ways that they enjoy. Whether it is through producing a movie on burlesque dance or deriving Kepler’s laws using calculus, students are not only learning, but they are learning how to learn.

Traditional-rote learning has its place too, as a jumping-off point for our intellectual endeavors. We are, however, crippling our students if we don’t give them the tools necessary to be life-long learners.

Update: A recent post on the Generation YES Blog talks about a Lemelson-MIT study showing that students are interested in having the tools to (in my language) think creatively.

Average Just Doesn’t Cut it Anymore

To a perfect stranger, I am an overachiever.

I’m taking three AP classes (after dropping AP Stats because math and I are not a good combination) and two semester electives as my senior course-load. I’m president of my school’s Asian-American Club. I am also involved in my creative writing’s class literary magazine, National Honor Society, AP Student Tutoring, Link Crew, and African-Latino Club. I volunteer at the library on Sundays, I sang in the school chorus from 6th grade to 11th, and I played piano like every Asian kid in the U.S. (the ones who weren’t already saddled with violin).

Through the eyes of my parents, I’m the epitome of an ABC failure. I don’t practice piano anymore, I don’t play a sport (trust me—I’m doing it for the team, I cannot walk in a straight line without tripping), and I don’t have a 4.0 GPA.

Or maybe I should rephrase my first statement. To the perfect adult stranger—one who might not be up to date with today’s ever-inflating standards of students—I may seem like an overachiever when in fact, I’m not.

Not compared to my friends and classmates.

Sit at my lunch table and you’ll find a talented mix of students from all different kinds of backgrounds and ethnicities: two National Merit Semifinalists, one secretary of the National Honor Society, three all-state musicians, two star leads in our previous school productions, an editor of the school newspaper as well as director of a local amateur teenage-run theater group, and a partridge in a freaking pear tree.

Everyone at my table is taking three AP classes, if not more. Almost all participate in Link Crew or National Honor Society.

(Disclaimer: this might be a biased/limited overview since I’m basing this on personal experience and I take mostly honors/AP classes. Additionally, a number of the students in my classes are children of Cornell or Ithaca College professors/staff.)

The truth is that being an average student doesn’t really cut it anymore. It used to be that if you get A’s and B’s, you can probably get into a decent school. Or that if you’re valedictorian, you can pretty much write yourself a ticket to any school.

Nowadays, it’s not enough just to get good grades. You have to play an instrument and two sports, volunteer, get straight A’s, attain a 1850+ SAT score, and hold some office in student council or club to even be considered many colleges—whether college admission officers would like to admit it or not. With more and more students applying to college each year, you have Cornell turning away 3 out of 4 valedictorians.

With the rise of their increasing expectations, there will also be the rise of students who will try to meet them. Just from a casual Google search of “Student overachievers” will result in a number of articles about the rise of overachieving students—students who feel like they need to be “well-rounded” in order to get accepted to a good college in order to be successful in life, as Lindsea has also covered in her post “One Sweet Dream”.

While being ambitious and responsible is great, I can’t help but feel bad for students like the ones depicted in Alexandra Robbin’s The Overachievers: The Secret Lives of Driven Kids. Thankfully, while my school is pretty competitive for a public school, it’s nowhere near as insane.

Although everyone I know is applying to at least one or two Ivy or Public Ivy league schools, many are also submitting applications to state colleges. Community colleges, however, are still looked down upon—just the mention of our local community college will be met with ridicule, even though it is one of the top community colleges in the country. We’re accustomed to high standards, although I sometimes wonder if we’re able to keep up with the ever increasing standards placed upon us by Above.

I’m currently happy and busy with all my extracurriculars. I participate in them because my friends are members and I sincerely enjoy those activities. I do them for myself, not because I’m trying to impress a Dean of Admissions. Too many of my peers join clubs (National Honor Society being a common culprit) only to have something to jot down on their college application.

Would you rather do something you enjoy or something that would impress others? Have you ever committed yourself to something simply to boost your resume?

  1. Photo by Aaron Michael Brown on Flickr
  2. Photo by Alexandra Lee on Flickr

Teaching the Process of Design (or, making student videos interesting)

As I watch students (myself included, as always) work on video projects for their foreign language, English, or other classes, I see a striking similarity between those videos and my family’s home movies. Just like home movies, most of these student videos are lacking a thesis and a design to support them. As technology allows us to integrate creative projects further into our curriculum, we need to give students the tools to funnel their creative efforts into an effective and cohesive whole.

The need to teach students how to design is not a new idea. Dan Meyer has been posting wonderful lessons from his class on Information Design. Scott S. Floyd in his year-end photo post writes:

While we focus on design being important in educating our youth (or their learning), I have begun to pay particular attention in how things look around me. I think that giving our students the opportunity to understand and appreciate the elements of design will allow them to create better finished products to display their learning.

There are many ways that one can approach design. Practitioners of the visual arts might look at it in terms of the principles of design. My background, however, is in theatre and video production. I will also add that my teacher/mentor Mr. Patrick Huber gets full credit for instilling this process in me.

Rendering from light design

If you asked a director of a theatrical or video production for the thesis of their production, you would surely get a cogent statement of purpose. It might be as simple as “My production is ‘historically accurate’” or a more grandiose theory about the world we inhabit: “by allowing ones’ ambition, not rationality, to take control of the choices we make, we lead ourselves into our failure” (That Scottish Play) or “our perception of our environment is a function of the people in it and our relationships with them” (The Zoo Story). Once a thesis is decided on, a concept for the production is formed that expresses the thesis and every design decision made during the production serves the thesis. This gives directors (or designers, or actors) a basic structure on which to base their production. Used correctly, a thesis can be the most powerful tool in a designer’s arsenal.

I would argue that the reason watching student videos can at times be excruciatingly painful is that they lack a cohesive design. Often, they represent a hodgepodge of ideas strewn together with very little thought to creating a unified whole. However, when students begin with picking a thesis, and then work from that thesis, a pattern, a design, begins to emerge. When the question for every single decision is “what supports my thesis?” those awkward transitions, strange cuts, and random effects begin to make sense.

Let us take, as an example, foreign language video projects. In my school, it is not uncommon for a foreign language student to be producing a short three- or five-minute video to demonstrate their mastery of the curriculum. Normally, the first “production meeting” starts with the question: “What can our video be about that makes it easy for us to use the required tenses and vocabulary?” And so, a script is written and design decisions are made with one goal in mind: satisfying the requirements. The problem is two-fold: While the video satisfies the requirements, it does so only minimally, and while the students are using the class’s language, they may not be fully expressing an idea with the language.

Photo from light design

Rather than simply asking our students to combine video technology with their foreign language, we need to be asking them to use both their foreign language and video technology to express an idea. Asking students to reach beyond the requirements is where the real gold lies: it is when we really start to see how well students can use the tools given to them.

This isn’t, of course, limited to foreign language videos. I would classify student video productions into two categories: (1) videos demonstrating mastery of material (such as the above foreign language example), and (2) videos demonstrating the material (such as a video one might produce for a history class explaining some historical event). In this second case, the purpose of a thesis is simple: to make the video interesting. If students are trying to convey information in a video, they need to hold their audience’s attention. Structuring their video and design decisions around a thesis is a powerful tool for creating a cohesive and powerful piece.

I leave you with a series of questions: How and when do you teach students design skills at your school? What types of design skills do you teach them? Do they have the design skills to effectively utilize the creative mediums you provide them? What attributes have you found make student designs particularly effective?

Edit: Changed the title, and corrected some small errors. ~AJC (2008-01-07)






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